Lisbon

Process

7 min read

Why we test every building with a card model and the sun

Software can simulate daylight to the lux. We still carry white card models into the garden at four in the afternoon. Here is why.

White card architectural model placed in a meadow at golden hour

(Written by)

Black and white portrait of Tomás Ferraz, project architect

Tomás Ferraz

Project Architect

Every project in the studio passes through a white card model at 1:50 or 1:20. Before any client meeting, we take it outside and turn it slowly under the real sun.

Simulation tells you how much light arrives. A model tells you how it feels: the softness of an edge, the glow at the back of a deep window, the way a shadow slides across a floor.

What the model shows that the screen doesn’t

Glare and reflection. The colour of bounced light off a pale wall. The moment a room goes from bright to luminous. These are qualities, not quantities, and they are what people remember.

Turn the model until the room surprises you. Then build that room.

White card architectural model placed in a meadow at golden hour

We photograph each model at fixed hours and pin the prints to the wall above the drawing table. By the end of design development, the wall becomes a calendar of the building’s light.

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